LG’s RGB LED TV impresses, but competitors offer superior options.

When it comes to TVs, LG has established itself as a leader in the OLED space, consistently outpacing competitors like Samsung and Sony. However, 2026 marks a shift towards RGB LED technology, with nearly every major brand rolling out new models. Among them is LG’s $3,600 75-inch Micro RGB evo MRGB95B, which I’ve been putting through its paces. While this RGB LED TV showcases impressive brightness and color capabilities, it also has some drawbacks that its more affordable rivals manage to avoid.

The MRGB95B is available in three sizes, with the 75-inch model being the smallest. It features four HDMI 2.1 ports and supports Dolby Vision, though it lacks Dolby Vision 2 and HDR10+. The TV comes with LG’s redesigned Magic Remote, which has a more traditional shape compared to the previous curved designs. Like all LG TVs, the MRGB95B operates on webOS, which is fast but not as user-friendly as alternatives like Google TV, Apple TV, or Roku. It supports all major streaming apps.

On the software side, LG has faced scrutiny recently due to a video revealing potential security vulnerabilities and continuous audio recording on its TVs, which the company has denied. During the setup of the MRGB95B, you only need to accept the terms of use and privacy policy to access webOS. If you prefer, you can disconnect the TV from the internet, but you’ll need an external streaming device for services (I personally use an Apple TV 4K).

So, what’s the appeal of an RGB LED TV? Unlike traditional backlighting that uses a field of white or blue LEDs with a color filter, RGB LED TVs utilize individual red, green, and blue LEDs. This allows for more precise color reproduction, resulting in higher brightness and a broader color range. LG and Samsung refer to their technology as Micro RGB, while others call it Mini RGB LED. Although LG and Samsung’s RGBs are reportedly smaller, this doesn’t necessarily mean they outperform Mini RGB in terms of zones or performance.

The MRGB95B shines brightly, achieving a peak brightness of 4,011 nits in HDR Filmmaker mode, making it suitable for well-lit rooms. Highlights in dark scenes, like those in *The Meg*, stand out impressively. However, it struggles with near-black details, making it hard to discern shadowy areas, such as the corners in *Blade Runner 2049*. Additionally, bright elements in dark scenes, like subtitles, can cause noticeable blooming.

The LG MRGB95B boasts vibrant colors, covering 100% of the P3 color gamut and nearly 90% of the BT.2020 color space. However, even in Filmmaker mode, color accuracy issues persist, with a tendency towards a cooler blue tint affecting whites and skin tones.

After spending some time with the MRGB95B, I adjusted to the slightly blue tint, but for a $3,600 TV in 2026, such inaccuracies are disappointing. While it performs well in bright conditions, its glossy screen reflects ambient light excessively, creating distracting reflections, especially in darker scenes.

Viewing angles are a common challenge for LED TVs, and the MRGB95B is no exception. Colors wash out when viewed from the side, diminishing the experience for anyone not sitting directly in front.

In isolation, the MRGB95B is a solid TV for specific scenarios, excelling in brightness and ambient light handling, though it falls short against competitors. The Sony Bravia 7 II, priced $1,300 less for the 75-inch model, offers better color accuracy and reflection management. Similarly, the Hisense UR9 provides comparable performance at a lower cost.

The real competition, however, comes from LG’s own lineup. The LG G6 OLED is only a few hundred dollars more than the MRGB95B and delivers superior performance with better color accuracy and viewing angles. While OLEDs may not reach the same brightness levels, their ability to turn off pixels results in exceptional contrast and zero blooming.

LG has historically struggled to create competitive LED TVs, and the MRGB95B continues that trend, making a strong case for opting for an LG OLED instead.

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**How I test TVs**
I set up each TV in my living room on my home theater credenza. I stream movies and shows through the TV’s apps and from an Apple TV 4K, play discs on my Oppo UDP-203 4K Blu-ray player (including the Spears & Munsil Ultra HD Benchmark disc), and play games on my Xbox Series X and PlayStation 5. This is done at different times of the day and under different lighting conditions, with curtains open, with lamps and overhead lights on, or with blackout curtains up to keep the room dark. While I am a certified ISF Level 3 calibrator, I do not calibrate the TVs before measurement, as the overwhelming majority of TV owners don’t bother. So it’s important to know how well the TVs perform out of the box, with minor tweaks in the menu anyone can do.
For measurement, I use Portrait Displays’ Calman color calibration software, a Murideo 8K Seven pattern generator, an X-rite i1 Pro 3 spectrophotometer, Portrait Displays’ C6 HDR5000 colorimeter, a Konica Minolta LS-100 luminance meter, and Leo Bodnar 4K lag tester.